CALL SHEET 2 - BELVEDERE TOWER
Call sheet 2
Date of shots 15th of November
CALL SHEET 2 - BELVEDERE TOWER
Call sheet 2
Date of shots 15th of November
CALL SHEET 1 - CLAREMONT FAN COURT SCHOOL (OUTSIDE)
Call sheet 1
Date of shots 11th of November
The initial establishing shot presents a high end dress shop which initially introduces the audience to three actors, a male shop assistant, a higher class woman and a women who we discover is unable to pay for her chosen item as it's out of her price limit. The female characters contrast each other in the way of which one customer seems to fit in perfectly, picking out a luxurious dress and dressed in fancy clothes, however the other is made to feel less important and uncomfortable, due to being unable to purchase an item. The high angle shot used when meeting the first women, looks down on her, making her look smaller and less important, and highlighting her shabby, untidy appearance. The audience are able to gain an understanding that she doesn't below there and isn't a common customer. This contrasts against the other female, whose clothes are pristine and from the high end, and hair and makeup immaculate, making her out to be from the middle to upper class. Her character matches the shop assistants presentation, being smart and agile.
The dialogue between the shop assistant and the first women discuss the pricing of a dress, and allow the audience to construct an idea of each character and the way in which they are treated defines their status. His hands are kept behind his back whilst talking to her, and nose stuck up in a patronising manner. The dialogue between this women and the higher class women is significantly obvious. This is evident in the way he initially doesn't mention the actual price of the garment to the first women, instead offers her a lower deal due to her appearance and less wealthy manner, unlike the second women who asks for a specific brand- which may be due to her previously buying something from the brand. We are also able to identify her as quite spoilt and wealthy through the hand gestures used when trying on the dress, flexing the bright diamond ring on her hand. Furthermore, the use of her hand gestures and excitement in the fitting room presents her as childish and giddy. The directors use tilt pan terminology from foot to head of the wealthy customer trying on the expensive new evening dress which is done purposefully to construct her as the sort of client that the shop assistant wants to impress as she is slim and makes the dress look beautiful; by ending the camera movement on her face, the audience sees her vain reaction to her image in the mirror which furthermore presents her character and arrogance.
PLANNING: OUR COMP LIST
PLANNING: MY TARGET AUDIENCE AND HOW I ENGAGED THEM
From the FutureLearn course that I am following Distribution: Connecting Films With Audiences, I know that all products are targeted at specific audiences. I needed to plan how to reach my target audience. Therefore, I needed to know who they are (factors that may be relevant include age, gender, ethnicity, social class), what their media needs are (so that I could produce a product that they will want) and how to reach them (to market my film). I will show how my research has shaped and influenced my planning. I started by investigating how brands define audiences in preparation for creating my own audience profile for my AS Foundation Production. I investigated how Bauer Media define their audiences.
Art of the title Sherlock Holmes opening scene
The film opening of Sherlock Holmes conveys certain codes and conventions which match the Mystery film conventions. This title sequence clearly emphasised and showed the well known cast, which will encourage interest and hyped around the film. As for the expectation which comes alongside the well-known names. Within the film opening the soundtrack used creates suspense and drama but also fits in with the old, vintage style of the film set in 1890 London. As well as this the soundtrack is fast paced, with heavy instrumentals which once again helps to gage our attention. Personally I really like the illustrations and the way this was created and edited. The smooth transitions and front of the writing suits the film almost perfectly. The splats of ink and the handwriting highlights the fact that this is a historical genre film. Along with the credits being shown we also see some famous faces from the illustrations made with ink. This is all clearly made with editing software. The ink also moves into live images which were taken from within the film the music reflects the mystery in the film and again the historical era.
FILM OPENING GRACE CLARE 1976 I worked with Millie Levine 1997, Olivia Davies 1921 and Ollie Hill 1942. Our brief was to make the titles and...