PLANNING: OUR COMP LIST
Thursday, 4 November 2021
Tuesday, 2 November 2021
PLANNING: MY TARGET AUDIENCE AND HOW I ENGAGED THEM
PLANNING: MY TARGET AUDIENCE AND HOW I ENGAGED THEM
From the FutureLearn course that I am following Distribution: Connecting Films With Audiences, I know that all products are targeted at specific audiences. I needed to plan how to reach my target audience. Therefore, I needed to know who they are (factors that may be relevant include age, gender, ethnicity, social class), what their media needs are (so that I could produce a product that they will want) and how to reach them (to market my film). I will show how my research has shaped and influenced my planning. I started by investigating how brands define audiences in preparation for creating my own audience profile for my AS Foundation Production. I investigated how Bauer Media define their audiences.
PLANNING: MY AUDIENCE QUESTIONNAIRE
(Opening message) I would be grateful if you complete this short survey on films and what you prefer
1. What is your gender?
2. What age category do you fit into?
3. Which of these your film genres would you watch? Pick as many as you wish.
4. What was the last film you watched?
5. What platform would you most likely use to watch a film?
6. Which of these trailers have you seen?
7. Which of these platforms would you use to find out about films?
8. What is the most likely reason you would watch a new film?
This is how I can find my target audience from using these answers to the questionnaire. I used google forms to create said questionnaire. I sent it to my peers and teachers. I received great feedback; not only with the questionnaire, I received multiple compliments on the layout and how easy it was for them to access and complete.
Monday, 18 October 2021
ART OF THE TITLE - SHERLOCK HOMES
Art of the title Sherlock Holmes opening scene
The film opening of Sherlock Holmes conveys certain codes and conventions which match the Mystery film conventions. This title sequence clearly emphasised and showed the well known cast, which will encourage interest and hyped around the film. As for the expectation which comes alongside the well-known names. Within the film opening the soundtrack used creates suspense and drama but also fits in with the old, vintage style of the film set in 1890 London. As well as this the soundtrack is fast paced, with heavy instrumentals which once again helps to gage our attention. Personally I really like the illustrations and the way this was created and edited. The smooth transitions and front of the writing suits the film almost perfectly. The splats of ink and the handwriting highlights the fact that this is a historical genre film. Along with the credits being shown we also see some famous faces from the illustrations made with ink. This is all clearly made with editing software. The ink also moves into live images which were taken from within the film the music reflects the mystery in the film and again the historical era.
Friday, 15 October 2021
ART OF THE TITLE - SPEED
After the credits, a scene of a man walking out of an elevator and discovering something off in the electronics room occurs. This also ensues mystery and wonder for what will happen next. During the opening credits, there if fast paced music, to show to the audience what type of film you are watching. It represents a faced paced, action packed film with lots of excitement and build up around it. The music is also very slightly mysterious which also represents action, as the mystery is that there could be a mastermind behind the whole film, which there is, as someone sets off the time bomb and has the intention of blowing it up. There is then a long shot going in towards the mysterious item, being a bag, then camera then slowly zooms in.
PLANNING: FILM TREATMENT
PLANNING: FILM TREATMENT
Write a treatment for your film opening. A treatment will normally contain:
- A title that is dynamic and engaging
- The top line - an 'elegant sentence' that sums up the action
- The big question - what is the cliffhanger? what is the enigma that will unfold?
- The synopsis - one or two paragraphs outlining the plot
- Characters - brief introduction: Adam, 35, a dreamy design engineer.... Lucy, 25, a disenchanted doctor... Mary, 18, an idealistic student...
NEXT
- After writing the treatment, you create a STORYBOARD (hand drawn on the sheets that I give you)
- and a SHORTLIST
BRAINSTORM INITIAL IDEAS
- Girl with super brain being stalked by crazy doctor or scientist
- Aimed at a younger audience, that being young adults potential teenagers
- The scientist wants to take the girl completely to study her and take as a test subject
- Potentially the government after her
- Some potential locations include; a hospital, train station, science lab
- London
- Train station
- Hospital
- Elevator
- Woods
- Empty car park
- Walking down an empty dark road
- Dark room hacker screens
- Pin Board
- Documents
- Pictures
- Files
- Doctors notes
- earphones
- Clips from YouTube
- Titles
- Background music/sounds
- Filters
- POV filters
- Earphones in music playing walking down lonely street, music out silence. Mixed shots of doctor and girl to create following creepy scene
- Dark room with hacker screens and reflecting in glasses
Thursday, 14 October 2021
PLANNING: TOP LINE & BIG QUESTION
TOP LINE & THE BIG QUESTION
I watched a presentation by Frank Ash who is the creative consultant for the BBC. He has taught story telling and creativity techniques to teams across the BBC and beyond. What I learned form the presentation was how important it was to focus on the audience: what interests them ,how does the film make them want more.
For Frank Ash film makers need to think of what the top line and the big question is. He calls the top line 'one elegant sentence' that sums up the story. He then says we then need to leave the audience wanting to find out more which is the 'big question'. Having learnt from Frank Ash's video, I have decided to sign up for Film Distribution from on the Future Learn website.
FILM OPENING
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